Artist

DeeBrown

Dee Brown (All We Need, Creak Inc., Mother Tongue) was born in Copenhagen in 1995 and has been a club head and DJ since the age of thirteen.

A longtime presence in the local underground dance music scene — whether as a resident DJ, party host or record label founder — creating spaces for the music and culture he believes in.

Rooted in house music and anything expansively soulful, his sets traverse the dotted lines between soul, jazz, acid, boogie, techno, r&b, broken beat and funk. He favours extended all-night sets, approaching the decks with a dancer’s sensibility built on patience, repetition and gradual movement, rather than chasing peaks. His sound resists singularity in genre or tempo, prioritising groove and continuity.

Over the years he has shared booths with Specter, Patrick Gibin, Kaidi Tatham, Sassy J, Volcov, Mark Grusane, Nedda Sou, Julion De’Angelo, Errol & Alex Rita, Darryn Jones and Deon Jamar — artists who reflect the house-rooted circuit he operates within. Guest mix and radio appearances include NTS Radio (w/ Alexander Nut and marshmELLO), Rinse FM, Hör and Rocket Radio.

Through his party series All We Need, co-founded with house dancer Marie Kaae, he has hosted many of these artists in Copenhagen — working to reconnect dance culture to club spaces while drawing inspiration from and honouring U.S. house and street dance traditions.With his record label Creak Inc., he releases music from local independent artists like Astrid Engberg, Nu Persei, Jeremy Troy and Terry Tester, alongside collaborations with Miguel Atwood-Ferguson, Kaidi Tatham and K15, spanning deep house, boogie, hip-hop, broken beat, contemporary jazz and modern classical.Since 2019, he has been part of the team behind Mother Tongue — the record label, pressing plant and distribution platform that has become a key reference point for anything deep and soulful — grounding his artistic practice in supporting the infrastructure that allows independent music to grow, thrive and sustain itself.His approach remains consistent: music, sound and the dance first — always in service of the long arc rather than fleeting moments.